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{:en}HOLOGRAM UNIVERSE | La Tertulia Museum of Modern Art, Cali (Colombia) | 2017{:}{:fr}UNIVERS HOLOGRAMME | Musée d'Art Moderne La Tertulia, Cali (Colombie) | 2017{:}{:es}UNIVERSO HOLOGRAMA | Museo de Arte Moderno La Tertulia, Cali (Colombia) | 2017{:} View {:en}THE WORLD WAS FLAT, NOW IT’S ROUND AND IT WILL BE A HOLOGRAM | MAZ (Modern Art Museum of Zapopan), Zapopan (Mexico) | 2016{:}{:fr}LE MONDE ÉTAIT PLAT, MAINTENANT IL EST ROND ET SERA UN HOLOGRAMME | MAZ (Musée d'Art Moderne de Zapopan), Zapopan (Mexique) | 2016{:}{:es}EL MUNDO ERA PLANO, AHORA ES REDONDO Y SERÁ UN HOLOGRAMA | MAZ (Museo de Arte Moderno de Zapopán), Zapopán (Mexico) | 2016{:} View {:en}THE DURATION OF THE PRESENT | Flora Ars+Natura, Bogota (Colombia) | 2015{:}{:fr}LA DURATION DU PRÉSENT | Flora Ars+Natura, Bogota (Colombie) | 2015{:}{:es}LA DURACIÓN DEL PRESENTE | Flora Ars+Natura, Bogotá (Colombia) | 2015{:} View {:en}THE WORLD WAS FLAT, NOW IS ROUND AND IT WILL BE A HOLOGRAM | Bildmuseet, Umeå (Sweden) | 2015{:}{:fr}LE MONDE ÉTAIT PLAT, MAINTENANT IL EST ROND ET SERA UN HOLOGRAMME | Bildmuseet, Umeå (Suède) | 2015{:}{:es}EL MUNDO ERA PLANO, AHORA ES REDONDO Y SERÁ UN HOLOGRAMA | Bildmuseet, Umeå (Suecia) | 2015{:} View {:en}THE DURATION OF THE PRESENT | Cicus Ubicua, Seville (Spain) | 2014{:}{:fr}LA DURATION DU PRÉSENT | Cicus Ubicua, Séville (Espagne) | 2014{:}{:es}LA DURACIÓN DEL PRESENTE | Cicus Ubicua, Sevilla (España) | 2014{:} View WANG KEPING (CONTEMPORARY SCULPTURE) | Museum of Asian Arts, Nice (France) | 2008 Current {:en}MAIMAO | Orangerie du Sénat, Paris (France) | 2006 + Fattoria Celle, Prato (Italy) | 2007{:}{:fr}MAIMAO | Orangerie du Sénat, Paris (France) | 2006 + Fattoria Celle, Prato (Italie) | 2007{:}{:es}MAIMAO | Orangerie du Sénat, París (Francia) | 2006 + Fattoria Celle, Prato (Italia) | 2007{:} View {:en}WAKE UP SHANGHAI | Orangerie du Sénat, Paris (France) | 2006{:}{:fr}WAKE UP SHANGHAI | Orangerie du Sénat, Paris (France) | 2006{:}{:es}WAKE UP SHANGHAI | Orangerie du Sénat, París (Francia) | 2006{:} View
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INDEPENDANT CURATOR

WANG KEPING (CONTEMPORARY SCULPTURE) | Museum of Asian Arts, Nice (France) | 2008

Exhibition curator: Lina López
Artist: Wang Keping

 

Wang Keping work abruptly liberated Chinese sculpture from all the rigid conventions that surrounded it, and this “from the moment it was recognized as an art form in China”. This new freedom has stimulated young sculptors, allowed a new development to those who were already known and opened the way to a vast enrichment of the range of styles and modes of expression.

 

Exclusively worked in wood, his works are of striking power. It is in the tree that the genesis of the forms that interest him takes place. Each piece of wood seems to have been seen in the hollow of the trunk that carried it. Wood only changes its body. Its heart carved by the balls that will become mouths, all kinds of bodies and limbs. There arises a multitude of silhouettes with massive curves of a formidable expressiveness.

 

These representations ignore the concern for detail, neither figurative nor completely abstract, they are inspired by the principle of Taoist unity where man and animal belong to the same reign. Rarely one feels in sculptures such a connivance between the dynamics of the natural development of wood and the carved work that flows from it.

 

Wang Keping has an almost anatomical knowledge of the material, which allows him to respect the logic proper to the wooden, making the most out of it.

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